Detroit Musix: a Lessons in Building a Talk Show

Lesson #1 Learn the Producers’ language(s) Chancery Gobbledygook is my native language. Also known as imagINeering Script, and Reverse Vibe Coding. It is a note taking code comprised of lyric…

Lesson #1 Learn the Producers’ language(s)

Chancery Gobbledygook is my native language. Also known as imagINeering Script, and Reverse Vibe Coding. It is a note taking code comprised of lyric prose, sundry symbols, random scribbles, sprinklings of technical jargon, with massive doses of process lingo in tidbits and smidgeons.

The fact that most of the people in my constellation of communities with social aspirations are futilely striving to make me a balance between Charlie Rose and Casey Kasem with just enough Elmo McElroy to keep my ‘Black Card’.

My present task is usually accomplished with me seated at the 8 O’clock to the rear of my client, who is interviewing their client while I sketch out a portfolio of plans for the people that make events and products into things. Since the cumulative knowledge and wisdom of every pimp, poet, politician, priest to ever grip the mic and spit on it like a penis has been distilled into AI that can imagine good enough for 90% of the US population that use AI feel like they created everything they’ve ever prompted. A position that has been usurped by a tablet, connected to a sympathetic agentic who won’t demand the interviewing salesperson learn and or employ the languages or standards of the tools, materials, techniques, processes or people used accomplish their client’s desired task. Truly talented, skilled and standards based commercial creatives are really under no long term threat. Unless they really want to compete with people who use the free templates on the site.

This season, I’m wearing everyone’s hat individually to figure out what they want and how it agrees with what the producers want.

Because of other projects of similar nature I’ve learned that I need to find a fund developer and build a database of event sponsors

I’ve also got to develop a set of expectations of others.


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